Lorna Price
Mezzo-Soprano
Lorna’s musical and linguistic training has led her to solo and ensemble performances as a Mezzo with ensembles in the UK and Europe. This coming season sees performances with the Monteverdi Choir, Pygmalion (Raphaël Pichon) and Jupiter Ensemble (Thomas Dunford). You can read below about her upcoming concerts.
Biography
British mezzo-soprano Lorna Price began her musical and linguistic training as a chorister at Llandaff Cathedral. It was her early experiences of singing Bach that motivated her to take up learning German.
Lorna continued her vocal studies at Gonville and Caius College, Cambridge, where she sang as a Choral Scholar and read Modern and Medieval Languages (French and German).
As a Mezzo, she performs with some of the UK's and Europe’s leading vocal ensembles, including the Monteverdi Choir, Pygmalion, BBC Singers, Collegium Vocale Gent, Utopia Choir and Jupiter Ensemble. On Sundays, Lorna sings with the Chapel Choir of the Royal Hospital in Chelsea. Lorna regularly performs as a step-out soloist, particularly enjoying oratorio and part-song work. She was a Monteverdi Choir Apprentice for the 2023 / 2024 season. Recent engagements include Castor et Pollux at the Opéra National de Paris in 2025, a tour of Handel’s Theodora with Jupiter Ensemble and new productions at the Salzburger Festspiele with Pygmalion and Utopia. She is looking forward to upcoming projects with Sir John Eliot Gardiner, Raphaël Pichon and Thomas Dunford.
Diary
Events Archive
Memory Unwrapped: The Carice Singers perform Martland
An exciting survey of Steve Martland’s choral works within a programme of energy and discovery.
Steve Martland was interested in the energy and the vitality of the human voice throughout his career. The Carice Singers will perform his major works for choir, including the enchanting ‘Street Songs’ and otherworldly Skywalk, which tells of an astronaut’s perspective of planet earth viewed from Space.
Works of driven directness from American minimalist composers Steve Reich and Julia Wolfe give context to Martland’s aesthetic, while a beautiful and rarely-heard piece by Martland’s teacher Louis Andriessen also introduces a European influence. The programme also includes the premiere of a new work by Luke Lewis.
3in1: Pachelbel, Kuhnau & Bach with Parnassus Ensemble
3in1’ is a unique collaboration between Parnassus and the artist Jérémie Queyras in a performance of three cantatas, all based on Martin Luther’s hymn Christ Lag in Todes Banden by Pachelbel, Kuhnau and JS Bach – each accompanied by literary and visual artistic responses.
This interdisciplinary performance offers an immersive experience for both performers and audience, exploring the hymn's evolution from its 11th-century plainchant origins. The concert will begin with an improvisation on the chant, leading seamlessly into the first of the three cantatas, and culminating in Bach’s dramatic and epoch-defining setting. Interwoven with the music will be selected poetry, offering contemporary reflections on themes found in the seven verses of the hymn, such as suffering, sacrifice, redemption, and exodus – all of which remain deeply relevant today.
In addition to the music and text, Queyras will create a visual landscape through art, painting on three large canvases in real time, providing a dynamic theatrical backdrop. The fusion of music, art and literature will give the audience a multi-faceted experience, allowing them to connect with the timeless messages of the hymn and the emotional power of the works, while also appealing to those less familiar with this genre of music by providing multiple access points.
Dr Mark Seow (BBC Radio 3 contributor, Bach Scholar) will lead an interactive pre-concert exploration of Bach’s setting of Christ lag in Todes Banden delving into the history and theology of the work, alongside a musical analysis of the piece.
The origins of the music stem from the c11th and were reimagined by Bach, Kuhnau and Pachelbel in service of their communities; this project is a continuation of this tradition, and by incorporating varied artistic inputs, with an aim to highlight the relevance and emotional power of these works for today’s times.
Fri, 22 May 2026
St Stephen’s, Gloucester Road
7:30pm
£25 (u35s £8)
3in1: Pachelbel, Kuhnau & Bach with Parnassus Ensemble
3in1’ is a unique collaboration between Parnassus and the artist Jérémie Queyras in a performance of three cantatas, all based on Martin Luther’s hymn Christ Lag in Todes Banden by Pachelbel, Kuhnau and JS Bach – each accompanied by literary and visual artistic responses.
This interdisciplinary performance offers an immersive experience for both performers and audience, exploring the hymn's evolution from its 11th-century plainchant origins. The concert will begin with an improvisation on the chant, leading seamlessly into the first of the three cantatas, and culminating in Bach’s dramatic and epoch-defining setting. Interwoven with the music will be selected poetry, offering contemporary reflections on themes found in the seven verses of the hymn, such as suffering, sacrifice, redemption, and exodus – all of which remain deeply relevant today.
In addition to the music and text, Queyras will create a visual landscape through art, painting on three large canvases in real time, providing a dynamic theatrical backdrop. The fusion of music, art and literature will give the audience a multi-faceted experience, allowing them to connect with the timeless messages of the hymn and the emotional power of the works, while also appealing to those less familiar with this genre of music by providing multiple access points.
Dr Mark Seow (BBC Radio 3 contributor, Bach Scholar) will lead an interactive pre-concert exploration of Bach’s setting of Christ lag in Todes Banden delving into the history and theology of the work, alongside a musical analysis of the piece.
The origins of the music stem from the c11th and were reimagined by Bach, Kuhnau and Pachelbel in service of their communities; this project is a continuation of this tradition, and by incorporating varied artistic inputs, with an aim to highlight the relevance and emotional power of these works for today’s times.
Lady St Mary, Wareham, 18:00, Purbeck Arts Week
Kurtag and Pärt at the Salzburger Festspiele with Teodor Currentzis
György Kurtág
Songs of Despair and Sorrow (Pesni unïniya i pechali) for mixed chorus and chamber ensemble op. 18
Arvo Pärt
Miserere for soloists, mixed chorus, ensemble and organ
B Minor Mass with the Monteverdi Choir
Thu 26 March 2026, 8.00pm
La Seine Musicale
Paris
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Sat 4 April 2026
Auditorio de Cuenca
Cuenca
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Fri 27 March 2026, 8.00pm
La Seine Musicale
Paris
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Tue 7 April 2026, 8.00pm
La Halle aux Grains
Toulouse
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Sun 29 March 2026, 7.30pm
Béla Bartók Concert Hall
Budapest
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Thu 9 April 2026, 8.15pm
Concertgebouw
Amsterdam
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The Chapel Choir of the Royal Hospital, Chelsea: Mozart Requiem and Haydn Stabat Mater
Haydn’s Stabat Mater and Mozart’s Requiem are paired for this moving Holy Week choral concert. William Vann directs the choir and soloists alongside the London Mozart Players, the oldest, freshest and most adventurous chamber orchestra in the UK. Cadagon Hall.
B Minor Mass with the Monteverdi Choir
Thu 26 March 2026, 8.00pm
La Seine Musicale
Paris
Book now
Sat 4 April 2026
Auditorio de Cuenca
Cuenca
Book now
Fri 27 March 2026, 8.00pm
La Seine Musicale
Paris
Book now
Tue 7 April 2026, 8.00pm
La Halle aux Grains
Toulouse
Book now
Sun 29 March 2026, 7.30pm
Béla Bartók Concert Hall
Budapest
Book now
Thu 9 April 2026, 8.15pm
Concertgebouw
Amsterdam
Book now
The Carice Singers: Infinity Flow
Barbican Centre
The Carice Singers celebrate Arvo Pärt’s 90th birthday with a program of his most mesmerizing choral works, showcasing his signature blend of purity, stillness, and profound spirituality.
The Great English Anthem
The Chapel Choir of the Royal Hospital Chelsea gives a concert of favourite English church anthems by some of the nation’s finest composers, including Elgar, Gibbons, Handel, Holst, Parry, Purcell, Stanford and Vaughan Williams.
BBC Proms: John Wilson Conducts Bernstein and Ravel
The Sinfonia of London Chorus make their live debut at the proms.